Bridge to Baghdad
a film by Jon Alpert
The Buddhist Peace Group is making arrangements to sponsor showings
of the 'Bridge to Baghdad' at various times and places in the
Capitol Area. This film, a recently released documentary produced
a week before the US invasion of Iraq, shows a video-conference that
recently took place between Iraqi and American teens/young adults.
As showings are sheduled over the next few weeks, we will post them
here.
Where |
Date |
Time |
Who |
Contact |
| | | |
Sage College, Upton Center |
April 2 |
12:40 PM |
Open to Public |
Allies Center for Social Responsibility |
Union College |
April 1 |
4:00 PM |
Open to Public |
|
******************
About the Film
from DEMOCRACY NOW!:
Story: Burning the "Bridge to Baghdad": as
War Begins, the Media Censors the Voices of Ordinary Iraqi People
The corporate media networks have "embedded"
hundreds of journalists with the US military. But they
have not one with an Iraqi family.
12-time Emmy award-winning TV journalist Jon Alpert
wanted to create dialogue and bring the voices of
ordinary Iraqis to ordinary Americans. He traveled to
Baghdad last month to set up a video conference with
Iraqi students in Baghdad and American students in
New York.
The American Museum of Radio and Television was
sponsoring the event. But as Jon Alpert drove from
Amman, Jordan on the road to Baghdad, they called
him, and backed out.
Jon produced the video dialogue anyway. When he
returned to the US, not one network would air his piece.
[An audio report on this film, from Democracy Now.]
*********
More About the Film
from producer JON ALPERT:
Bridge to Baghdad : A Youth Dialogue
The Event
On Saturday March 1st, while world leaders met behind
closed doors, 6 young Americans and 7 young
Iraqis stepped forward to participate in a historic
dialogue. At Downtown Community Television Center
(DCTV) in a loft in lower Manhattan and at the Orfali
Art Gallery in Baghdad these youths were able to
transcend time zones and national borders to speak
freely as peers with the help of satellite technology.
The Participants
World-renowned documentary filmmaker Jon Alpert
and his team traveled to Baghdad weeks before the
satellite conversation in search of the true voice of Iraqi
youths. After struggling against the many demands
of the Iraqi Ministry of Information, Alpert managed to
assemble a group of young Iraqis willing to speak
openly about their lives, their families, and their
opinions & voices rarely heard in American media.
What’s more, Alpert was able to film their lives
intensively the entire week before the show, creating
unique video diaries of each of the Iraqi participants. In
these stirring cinema verite pieces, the full life of a
young Iraqi citizen is revealed as Saif, 21, shows the
camera the steel metal doors his parents recently
installed throughout his house for fear that the
American soldiers would be coming “door by door” or
when Hamsa, 22, takes the viewer around her home,
now empty as the furniture has been sold off for money
in order for them to survive. Walid, a 17-year old
alienated teenager, shows us the blank wall where his
army officer father tore down his rock and roll posters
and later gives us a concert with his heavy metal band.
These riveting seven individuals were joined by an
equally diverse group of American faces and opinions
including a former army soldier, the head of an anti-war
student movement group, a first-generation Korean
immigrant, and the son of a conservative Lutheran
pastor.
The Conversation
As the inheritors of the good and bad consequences of
their leaders’ decisions, these youth were anxious to
discuss anything and everything directly with their
peers. The dialogue lasted for ninety minutes and
covered the Backstreet Boys and the realities of
traditional Muslim dating practices to the larger,
pressing realities of a possible war, failing UN
inspections, and the absence of free media and public
dissent in Iraq. When asked about Hussein-imposed
restrictions on their lives, Aisha, a beautiful 20-year old
aspiring clothes designer, expressed frustration in not
being able to choose her own career path (she now
studies computers) and Suha, the fiery Hajib-wearing
young Muslim, spoke enthusiastically about her deep-
seated (but unobtainable) desire to visit Washington,
DC. American panelists like Katrina, 22, who entered
the dialogue adamantly against the war left the
conversation with new considerations. She was
surprised to find that the Iraqi youths seemed to align
her anti-war stance to an implicit support of the
Hussein regime. “I am so used to being the crazy
liberal…and this shifted the spectrum a whole lot for
me,” said Baker when joined by the other American
panelists in a filmed debriefing after the satellite feed.
Other panelists expressed similar wonderings as the
conversation brought new nuance and empathy to
issues usually reported and explained by those many
years older than themselves. “All I could think was they
were just like me,” one American audience member
stated repeatedly after the show.
The Struggle to Broadcast
In the three weeks since the taping of the Bridge to
Baghdad youth dialogue, the producers from DCTV
and NextNext Entertainment have struggled to find a
television outlet in order to offer American audiences
the chance to hear the voices and opinions of their own
youth and the youth of Iraq on the war. They were
turned down by every major television broadcaster in
the country. With a war now commencing in Iraq, the
producers of Bridge to Baghdad are seeking out
alternative media outlets across the country in order to
air this historic dialogue. [Alpert's Bridges page]
]
[A 10-minute video excerpt of the film.]